Gerald
Wilson wrote tunes named for each of his children, and Nancy Jo, of
course, is one of his daughters. The original arrangement of this
fast twelve-bar blues variation was recorded in 1962 on Wilson's
album Moment
Of Truth,
which is one of his orchestra's classic “middle period” albums
from the Pacific Jazz label; many consider this era to be the peak of
his arranging and recording career. That is the arrangement that the Essentially Ellington program has issued this year, and that the Jazz At Lincoln Center Orchestra
played during the Essentially Ellington 2013 evening concert. That
said, Wilson has recorded this tune at least twice since then. Wilson's back catalogue includes a much faster 2003 recording from
Wilson's New
York New Sound,
as well as a 1995 recording from Wilson's State
Street Sweet.
The 2003 recording features not only a faster tempo but also
much-extended solo sections, which should suffice to make clear that
neither the original pace nor the original solo sections are
sacrosanct. The 1995 recording tears through the tune at the same
breakneck speed, but does not open up the solo sections. Bear in
mind that these are new, modern recordings from a man who was writing
and arranging for the major big bands of the 1930's. The breadth and
endurance of Wilson's career—which is still ongoing—is absolutely
staggering.
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